Kourt X Kylie Cosmetics First Impressions & Swatches

look guys it's me Nikki I'm up in the sky I'm floating today I'm gonna be doing a playtime / first impressions from a first impressions video / playtime video using the brand new highly anticipated court Kylie cosmetics collection after collaborating with Kim khloé no candle yet Kylie finally has decided to partner up with her older sister Kourtney and it has resulted in three eyeshadow palettes like I should have quads and three lip products and I got it in the mail today and I really want to sit down and just look at what it does look at how it performs look at how it you know goes on the eye and really give it a go also if you're wondering why I have the sky as the backdrop it's because in the campaign thad like a beige II sort of k'kaw backdrop and thad the sky and I was like I can be the sky to your k'kaw backdrop I can be that so without any further ado today we're gonna be playing with the court Kylie cosmetics collection so if you're interested in seeing how this performs then sit down get glam with me and get Graham Lo and Greg Lynn with me okay bye now you guys know the secret to any killer i look is the p lewis base so I'm starting off with that on a Mac – five – brush I'm patting this onto the lid and if you want more info on this base click the link on the screen right now to take you to an in-depth video on this base right here now going into the blue palette and taking this dark shade right here called Bible now I'm gonna scare you for a little bit I'm gonna deposit this color right on the outer corner of my eye stamp it on there so we get maximum pigment holy crap that is pigment in a shadow now with the tips of the bristles of your brush you want to create soft circular motions right at the edge of where we applied Bible this is going to defuse the line and the harshness just a tiny bit on another two-to-one brush by Mac and going into the color right next to it called Calabasas and like Mitchell Tadas on the side of the brush and picking up Calabasas as sort of scratching it on right above Bible now switching over to the paint palette and taking that curly peachy color called the Queen and picking this up on a morphe m 514 and right above where we applied Calabasas again doing that scratchy motion and I do want to show you I don't if the camera is picking it up but there is kickback in the pan so these shadows are a little bit more brittle tare a little bit more sensitive to like power so you got to make sure that you tapped your brush in very lightly going back into the darker colors and re intensifying them right now and I literally dip my brush in so lightly into the shadows just once and that brings me enough product to work with and enough pigmentation to work with now taking my favorite shade out of the entire collection the yellow gold called 19:44 or trophy wife I said teeth on an Anasazi Beverly Hills number eighteen brush I'm applying this to the center of the lid blending into the darkness and just like Mitchell taught us tapping motions only and see how this line right here is totally not what you wanted to look like so I'm going to go back in with Calabasas and blended right in between and that will give you a lovely gradient and blend I'm just tapping it on in between and it's just gonna do the blending for you and then I like to personally go back in with 1944 and just gracefully there's wind in my room just kind of tap it over where we applied Calabasas for that final kill of the like a look at that know what I'm looking at the shadows they're applying super pigmented they're blending really nicely the only thing I'm noticing now is that I need a little bit more of that Bible back into the outer corner and more of that what's it called the Queen right over topic right here it's missing that a little do you see so first a little bit of the Bible color get it back in there we're back and finally the Queen right here yes see that's what I meant we're back in the game on the inner corner and remaining part of the lid I'm gonna go in with diamond right here oh my god let me just tell you I feel like talmost changed the formula of the shadows feathers launch completely because tfeel more buttery tfeel more soft and talso look more pigmented than their Kylee shadows that I've worked with in the past but what that comes is that talso became a little bit more sensitive so tbecame a little bit more like it's giving you more kick back in the pan it's giving you a little bit more fallout but it's giving you more pigment and I'd rather have more pigment and a little bit of fallout that I can easily like kick away then no pigment and no follow like nothing I'm liking this a lot now let's focus on the lower lashes for lower lashes I'm thinking a Bible on a crown c510 brush and applying it on the outer corners see how there's a little bit of fallout that's the only complaint I have but it does give you so much pigment then I mean kind of okay with it because you can like just look at away then blending into calabasas so I just want to go ahead and show you the kickback in the pan with the darker color so see how it's giving you the kickback now again I feel like a lot of people will have something to say about this now just hear me out I don't like kickback in the pan not not for the slightest bit but when it gives you so much pigment in the application of your eye look I'm kind of okay with it could it have been done better absolutely is it workable and can I work with yeah picking up diamond on a crown see five to seven brush and highlighting the inner corners of my lower lashline all right Sam Marc Jacobs fine wine liner on the waterline and for lashes I'm using the Lily lashes in Ella well since I have you here anyways why not do our cheeks together so I'm gonna go in with the next to nothing powder by Mac called medium dark bronze it up to bronze it up mama da uncle I've ever been really filming a lot because remember how I filmed makeup like this in New York and I burned my cheek with a curling iron and it's been pretty bad and this is the first time in about three weeks where I feel good enough about it to actually like do stuff what's that again it was too scared to put makeup on it I had to put makeup on it because we weren't done filming in New York yet so it's ad totally made it worth to and then I did a photo shoot and then made it worse even worse so now after three weeks I mean still see it a little bit but I feel like finally it's like makeup the boom so here I am okay for blush I want to go in with the Mac blush in Spellbinder just for a nice pop of color on the cheek and then for highlighter and we'll go back into the pink palette and taking a diamond because it is stunning oh yes you know Courtney and Kylie just got together and we're like let's show the family how it's done oh my gosh and that burn is on fleek as for the final step the lips this collection contai